- 20 note cards and envelopes per box
Drama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During the course of the investigation, he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s,
City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable! father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story,
City by the Sea has that kernel of authenticity that good actors thrive on.
--Jeff ShannonDrama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During t! he course of the investigation, he realizes that his failures ! as a fat her - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s,
City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the de! pth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story,
City by the Sea has that kernel of authenticity that good actors thrive on.
--Jeff ShannonDrama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During the course of the investigation, he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s,
City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamentin! g the once glorious Asbury Park boardwalk, now dilapidated fro! m the de cay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story,
City by the Sea has that kernel of authenticity that good actors thrive on.
--Jeff ShannonIn this richly illustrated celebration of the nation's oldest seaside resort, Emil R. Salvini leads the reader through Cape May's two hundred tumultuous years, which have forever earned it the moniker "Queen of the Seaside Resort! s."
During its beginning as a coastal getaway not for New Jerseyans but for Philadelphians, middle-class families would endure the two-day journey to the site then known as Cape Island. With the advent of the steamboat and the railroad, the Cape became the premier destination for vacationers from surrounding areas.
In the 1880s, however, traffic slowed and the city entered a period of decline. Subsequent attempts at modernization failed, which actually saved the quaint wooden village that is visited by so many today.
Eventually, residents realized that the future of the Cape lay in the past. Preservation advocates succeeded in reviving interest in the resort, resulting in Cape May being designated a National Historic Landmark in 1976.
Readers of The Summer City by the Sea will be tempted to take the last exit off the Garden State Parkway. While fashionable resorts come and go, Cape May endures, a tribute to its tenacity and tradition.It's s! aid that the sins of the father are visited upon the son, a th! eme that permeates this based-on-a-true-story cop film with a generational twist. Given the film's troubling emotional core and urban landscape, composer John Murphy scores it with remarkably eclectic panache. Starting with a somber, string-driven theme that subtly evokes the story's undercurrents of Greek tragedy, Murphy quickly draws upon everything from ska rhythms, Chopin piano pieces, house music, and even East Asian flourishes to bring its various emotional and cultural conflicts into focus. It's a score whose range and dynamic sense alone are impressive, but also one that never forgets where its heart lies. Murphy occasionally lapses into predictable action cues, but it's his evocative side excursions into the pop vernacular that balance the autumnal orchestral themes and impart the entire score with compelling new dimensions. It's a great example of how music can be more than merely the sum of its parts. --Jerry McCulley This is the account of a young man who grew up ! in Germany during the period of the Third Reich. Under the doctrine of the Nazi regime and the influence it had especially for the young, the author nevertheless kept his sense of right and wrong.
In vivid detail Peter Haase describes the war years and how they affected him and his family. He records Nazi propaganda, shortages, air raids and the descent toward final defeat, as seen by an adolescent between the ages of eleven and seventeen.
Ten years of post war restlessness and struggle follow in the wake of the destruction of the German economy. The rebirth of his homeland does not give Peter the opportunity to build a prosperous future for himself. He decides to seek his fortune in a far-away land.This is the account of a young man who grew up in Germany during the period of the Third Reich. Under the doctrine of the Nazi regime and the influence it had especially for the young, the author nevertheless kept his sense of right and wrong.
In viv! id detail Peter Haase describes the war years and how they aff! ected hi m and his family. He records Nazi propaganda, shortages, air raids and the descent toward final defeat, as seen by an adolescent between the ages of eleven and seventeen.
Ten years of post war restlessness and struggle follow in the wake of the destruction of the German economy. The rebirth of his homeland does not give Peter the opportunity to build a prosperous future for himself. He decides to seek his fortune in a far-away land.Using basic draftsman's tools--square, triangles, compass--Frank Lloyd Wright created dazzling, highly abstract works of art applied to windows, lamps, rugs, mosaics, and furniture. Like his mentor, Louis Sullivan, Wright believed in ornamentation that was integral to a building's design (as opposed to applied decoration). His work was often so far ahead of its time that it failed to win the respect it deserved from the contemporary mainstream. In hindsight, Wright's remarkable architectural and interior details form a logical, natural step! on the path to purely abstract graphic designs, such as those adapted for these notecards. Wright's integral ornamentation combines a draftsman's technical mastery with the fluid imagination of a musician to form dazzling variations on elegantly simple themes. This notecard set celebrates Frank Lloyd Wright's 1956 mural design, City by the Sea, for the Music Pavilion at Taliesin West, Scottsdale, Arizona.
