Jumat, 04 November 2011

The Chronicles of Narnia: Prince Caspian

  • The magical world of C.S. Lewis' beloved fantasy comes to life once again in PRINCE CASPIAN, the second installment of THE CHRONICLES OF NARNIA series. Join Peter, Susan, Edmund Lucy, the mighty and majestic Aslan, friendly new Narnian creatures and Prince Caspian as they lead the Narnians on a remarkable journey to restore peace and glory to their enchanted land. Continuing the adventure of T
The magical world of C.S. Lewis beloved fantasy comes to life once again in Prince Caspian, the second installment of The Chronicles Of Narnia series. Join Peter, Susan, Edmund, Lucy, the mighty and majestic Aslan, friendly new Narnian creatures and Prince Caspian as they lead the Narnians on a remarkable journey to restore peace and glory to their enchanted land. Continuing the adventure of The Lion, The Witch And The Wardrobe with more magic and a brand-new hero, Prince Caspian! is a triumph of imagination, courage, love, joy and humor your whole family will want to watch again and again.More exciting than The Lion, the Witch, and the Wardrobe, The Chronicles of Narnia: Prince Caspian continues the movie franchise based on C.S. Lewis' classic fantasy books. The movie picks up where the first left off... sort of. It's been a year since the Pevensie children--Peter (William Moseley), Susan (Anna Popplewell), Edmund (Skandar Keynes), and Lucy (Georgie Henley)--returned to England from Narnia, and they've just about resigned themselves to living their ordinary lives. But just like that, they're once again transported to a fantastical land, but one with a long-abandoned castle. It turns out that they are in Narnia again--and they themselves lived in that castle, but hundreds of years ago in Narnia time. They've been summoned back to help Prince Caspian (Stardust's Ben Barnes, resembling a young, cultured Keanu Reeves), the rightful heir to! the throne who's become the target of his power-hungry uncle,! King Mr az (Sergio Castellitto). And he's not the only one threatened: Mraz's people, the Telmarines, have pushed all the Narnians--the talking animals, the centaurs and other beasts, the walking trees--to the brink of extinction. Despite some alpha-male bickering, Peter and Caspian agree to fight Mraz alongside the remaining Narnians, including the dwarf Trumpkin (Peter Dinklage) and the swashbuckling mouse Reepicheep (voiced by Eddie Izzard). (Also appearing is Warwick Davis, who was in Willow and the 1989 BBC Prince Caspian.) But of course they most of all miss the noble lion, Aslan, who would have never let this happen to Narnia if he hadn't disappeared. Prince Caspian is epic, evoking memories of Peter Jackson's Lord of the Rings films. (Some of the battle elements may seem too familiar, but they were in Lewis's book.) And it's appropriate for kids (Reepicheep could have come out of a Shrek movie), though the tone is dark and there is a lot of death, albeit bloodless. After two! successful films, Disney and Walden Media's franchise has proved successful enough that many of the characters are scheduled to return in The Voyage of the Dawn Treader. --David Horiuchi




Stills from The Chronicles of Narnia: Prince Caspian (Click for larger image)











Lake Dead - After Dark Horror Fest

  • Actors: Tara Gerard, Vanessa Viola, Kelsey Wedeen, Alex A. Quinn, Kelsey Crane
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
  • Language: English / Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only).
  • Not Rated. Run Time: 90 minutes.
AFTER DARK HORRORFEST - DVD MovieMonsters are on the minds of the eight directors whose films comprise the 2007 After Dark HorrorFest, which arrives on DVD in an eight-disc set as well as single-disc editions. And it's interesting to note that while there are plenty of traditional monsters on display, from the vengeful spirits of Crazy Eights and Nightmare Man to the rampaging alien in Unearthed, the majority of the creatures causing havoc in the 2007 HorrorFest are all too human, which underscores one of the key functions of the horror genre: to give a face to soci! ety's darkest and most pressing fears. The best showcase for these human beasts is Jim Mickle's urban creepshow Mulberry Street, which details the outbreak of a rat-borne virus that turns New York City residents into rodent-like mutants. The monsters themselves are actually the least effective part of the film; rather, it's Mickle's ability to create both a slow-boiling panic and believable characters on a shoestring budget that gives his picture the advantage over the others in the fest. Less agreeable is Borderland, a well-photographed but mildly xenophobic splatterfest about American college students who run afoul of bloodthirsty Mexican Satanists, while Lake Dead and Tooth and Nail recycle overly familiar horror tropes (mutant hillbillies vs. city folk in , and cannibals vs. apocalypse survivors in Tooth). Of the two, Tooth is the more appealing thanks to its name cast (Michael Madsen, Robert Carradine, Vinnie Jo! nes), while Lake offers little more than unrelieved sad! ism and sexual violence.

The Deaths of Ian Stone offers the fest's most intriguing premise--after a terrible accident, a young man (Mike Vogel of Cloverfield) discovers that he is being reborn as different people, only to suffer an even worse fate with each reincarnation--though the reasons for his condition and the introduction of monsters to the story are ill-conceived and ill-advised. As for the remaining titles, Unearthed is simply Alien in the desert (ground already covered with panache by Feast), while Nightmare Man is a HD-lensed supernatural slasher from the usually reliable Rolfe Kanefsky (The Hazing) that's enlivened only by the presence of B-movie stalwart Tiffany Shepis. With so much varying quality in the entries, what the 2007 HorrorFest needed was a rock-solid entry by an established talent, like Nacho Cerda's The Abandoned and Takashi Shimuzi's Reincarnation, which gave some spark to the 2006 festival.! Judging by the tepid box office response to this series, stronger names or more careful selection of titles will be necessary for the HorrorFest to remain an annual event. Unlike the 2006 HorrorFest DVD releases, only a handful of the 2007 festival's discs offer extras. It seems odd that two of the weakest entries--Borderland and Nightmare Man--are the only discs to feature substantial supplemental features, including director and cast commentary, deleted scenes, and making-of featurettes, as well as a short documentary on Borderland about the true-life crimes that inspired the film. However, Nightmare Man's extras have a distinct edge thanks to the participation of Shepis, who brings a salty sense of humor to the commentary and also directs an amusing making-of featurette that elicits funny (and honest) responses from the cast and crew. Included on every disc are The Miss HorrorFest Webisodes, a wan collection of reality show-style vignettes th! at follow a contest to find the festival's new, scantily clad ! spokesmo del. -- Paul GaitaNo Description Available.
Genre: Horror
Rating: UN
Release Date: 8-JAN-2008
Media Type: DVDNo Description Available.
Genre: Horror
Rating: UN
Release Date: 18-MAR-2008
Media Type: DVDDEATHS OF IAN STONE - DVD MovieTOOTH & NAIL - DVD MovieNearly a decade after two young girls are brutally murdered, the monstrous killer, Jonah, escapes from a mental institution and returns to his familiar killing ground, the theme park attraction "Dark Ride." His unfortunate victims this time are a group of college kids on a road trip that inevitably leads them to the Dark Ride where their night of youthful fun becomes a nightmare. The killer, who is mimicking the sets within the attraction, makes sure this is a "ride" audiences will never forget.UNEARTHED - DVD MovieLAKE DEAD - DVD Movie

NYHC

  • N.Y.H.C. is the first feature-length documentary to explore the New York Hardcore music scene. Drawing its roots from punk rock, hardcore has evolved into a dedicated, self-contained movement, unconcerned with success in the mainstream. This documentary follows seven bands in the summer of 1995, ranging from Bronx inner-city youth to Long Island suburbanites to Hare Krishna devotees. For the legen
Fueled by a ferocious soundtrack, director Paul Rachman's American Hardcore gives fans an all-access pass to the rise and fall of the U.S. punk scene, an explosive musical and cultural phenomenon that shaped everything from the grunge movement to the emo and pop/punk music currently riding the charts. Set against the conservative early '80s political landscape, American Hardcore chronicles the homegrown hardcore scene that was a swift kick in the head to corporate rock and mainstream ! complacency, as disaffected teens adopted the same collective credo - harder, faster, louder. From downtown warehouses to suburban bedrooms, the scene spread from city to city like wildfire, uniting bored, angry outcasts into an authentic underground revolution. A raw blast of politics, passion, and rage, American Hardcore features never-before-seen live footage from Black Flag, Minor Threat, Bad Brains, MDC, SSD, DOA, DRI, The Adolescents, 7 Seconds and many more, plus exclusive interviews with punk icons like Henry Rollins, Ian MacKaye, Keith Morris and H.R. (Paul Hudson).The history of hardcore punk--the tougher, faster, and more politically minded stepchild of the '70s punk movement that arose in the '80s--is examined in exuberant detail in Paul Rachman's documentary American Hardcore. Rachman's cameras careen across the landscape of the U.S. to trace the movement's beginnings in cities like Los Angeles, Washington, D.C., and New York, and cherrypicks inte! rviews with the musicians that helped shape its sound and impa! ct, incl uding Henry Rollins and Greg Ginn of Black Flag, H.R. (frontman for the highly influential, all-African American outfit Bad Brains), Ian MacKaye of Minor Threat (and now Fugazi), and many others. Hardcore's violent reaction against the Reagan administration and the complacent mindset of middle-class America is also detailed in countless performance footage clips and poster-art reproductions, which do much to dismiss the popular opinion of hardcore as nothing more than mindless hooliganism. Some fans may find the omission of certain bands a considerable oversight (San Francisco's lethally satirical Dead Kennedys are not mentioned only in passing), but for most punk devotees, American Hardcore will be vital and essential viewing. The DVD includes several deleted scenes and bonus performances, commentary by Rachman and writer Steven Blush (whose book of the same name provided the inspiration for the film), and a gallery of photos from photographer Edward Colver, who cove! red the hardcore scene in detail during its heyday. -- Paul Gaita

Stills from American Hardcore (click for larger image)





"American Hardcore sets the record straight ! about the last great American subculture"â€"Paper magaz! ine

< P>Steven Blush's "definitive treatment of Hardcore Punk" (Los Angeles Times) changed the way we look at Punk Rock. The Sony Picture Classicsâ€"distributed documentary American Hardcore premiered at the 2006 Sundance Film Festival. This revised and expanded second edition contains hundreds of new bands, thirty new interviews, flyers, a new chapter ("Destroy Babylon"), and a new art gallery with over 125 rare photos and images.

ANOTHER STATE OF MIND - DVD MoviePunk's Not Dead is more than just a tribute documentary. It takes you on an era-by-era journey that puts punk rock's non-conformist reputation under the knife. Officially sanctioned by the bands in the film who donated personal photos, fliers and home vRadio Silence: A Selected Visual History of American Hardcore Music is a tribute to the innocence and accidental sophistication that jump-started the look and sound of hardcore music.

Hardcore music emerged just after t! he first wave of punk rock in the late 1970s. American punk kids who loved the speed and attitude of punk took hold of its spirit, got rid of the “live fast, die young” mind-set and made a brilliant revision: hardcore. The dividing line between punk and hardcore music was in the delivery: less pretense, less melody, and more aggression. This urgency seeped its way from the music into the look of hardcore. There wasn’t time to mold your liberty spikes or shine your Docs, it was jeans and T-shirts, Chuck Taylors and Vans. The skull and safety-pin punk costume was replaced by hi-tops and hooded sweatshirts. Jamie Reid’s ransom note record cover aesthetic gave way to black-and-white photographs of packed shows accompanied by bold and simple typography declaring things like: "The Kids Will Have Their Say", and "You’re Only Young Once."

Radio Silence documents the ignored space between the Ramones and Nirvana through the words and images of the pre-Intern! et era where this community built on do-it-yourself ethics thr! ived. Au thors Nathan Nedorostek and Anthony Pappalardo have cataloged private collections of unseen images, personal letters, original artwork, and various ephemera from the hardcore scene circa 1978-1993. Unseen photos lay next to hand-made t-shirts and original artwork brought to life by the words of their creators and fans. Radio Silence includes over 500 images of unseen photographs, illustrations, rare records, t-shirts, and fanzines presented in a manner that abandons the aesthetic clichés normally employed to depict the genre and lets the subject matter speak for itself. Contributions by Jeff Nelson, Dave Smalley, Walter Schreifels, Cynthia Connolly, Pat Dubar, Gus Peña, Rusty Moore, and Gavin Ogelsby with an essay by Mark Owens.Originally released as a now-legendary underground VHS tape in 1999, N.Y.H.C. will come to DVD for the first-time as a deluxe 2-Disc Set.

This incarnation features interviews with Jimmy Gestapo (Murphy's Law), John Joseph (Cro-Mags), ! Lou Koller (Sick of It All), Lord Ezec (Crown of Thornz, Danny Diablo), Roger Miret (Agnostic Front), Rick ta Life (25 ta Life), Toby Morse (H2O), Vic DiCara & Rasaraja das (108), Freddy Madball (Madball), Tim Williams & Mike Kennedy (VOD, Bloodsimple), District 9, No Redeeming Social Value, and more.

The brand-new "Disc 2" includes "Where Are They Now?" interviews shot ten years after the original documentary, flashbacks of key venues, and previously unreleased live performances of iconic songs by VOD, 108, Madball, 25 ta Life, Crown of Thornz, and more.

N.Y.H.C. is the first feature-length documentary to explore the New York Harcore music scene. Drawings its roots from punk rock, hardcore evolved into a dedicated, self-contained movement, unconcerned with success in the mainstream. The documentary follows seven bands in the summer of 1995, ranging from Bronx inner-city youth to Long Island suburbanites to Hare Krishna devotees. N.Y.H.C. is a surprisingly in! -depth and non-exploitive look into a vital and often neglecte! d music community.

DISC 1

- THE MOVIE
-- Commentary by Frank Pavich (director), Stephen Scarlata (producer), & Kevin Gill (SFT Records)
-- Trailer
-- Subtitles: English, Spanish, German, French, Dutch, Japanese

- ADDITIONAL SONGS

-- Madball (1995 at Coney Island High)
"New York City"
"Down by Law"
"Streets of Hate"
"Never Had It"

-- VOD (1995 at Northport Pipeline)
"D.T.O."
"Formula For Failure"

-- 108 (1995 at Northport Pipeline)
"Solitary"
"Holyname"
"No Spiritual Surrender"

-- 25 Ta Life (1995 at The Pipeline)
"Separate Ways"
"Short Fuse"
"Inside Knowledge"

-- District 9 (1995 at Coney Island High)
"Fool"
"Pushed To The Edge"

-- No Redeeming Social Value (1995 at "Crucial Chaos" NYU Radio Show)
"No Regrets"

-- Crown Of Thornz - 1995 at Coney Island High)
"Juggernaut"
"Love Sick"
"The Hard Way / Crown of Thorns"

- T! HE CLUBS R.I.P.
-- Coney Island High (NYC)
-- The Pipeline (Newark NJ)
-- Northport Pipeline (Northport, Long Island)

- DELETED SCENES
-- Alternate Intro (9 mins)
-- "Religion" (9 mins)
-- "In Effect Magazine" (2 mins)
-- "Moshing" (2 mins)
-- "Fights / DMS" (8 mins)

- BONUS FOOTAGE
-- Rick Ta Life interviews Tommy Rat (6 mins)
-- No Redeeming Social Value at NYU (8 mins)
-- Jimmy Gestapo & Todd Youth (10 mins)
-- The Philosophy of John Joseph (6 mins)
-- Conversations with Lord Ezec (6 mins)
-- Speaking The Truth with Myke & Todd (6 mins)
-- Loki & His Animals (8 mins)
-- A Hospital Visit with Roger Miret (2 mins)

DISC 2

- UPDATED INTERVIEWS
-- Rick Ta Life (11 mins)
-- Tim Williams & Mike Kennedy of VOD (16 mins)
-- Freddy Madball & Toby H2O (18 mins)
-- Lord Ezec (aka Danny Diablo) (24 mins)
-- Myke Rivera of District 9 (19 mins)
-- John Joseph of Cro-M! ags (11 mins)
-- Kevin Gill of SFT (17 mins)
-- No Red! eeming S ocial Value (32 mins)
-- Mike Dijan of Crown Of Thornz (13 mins)

- SPECIAL FEATURES
-- Lou Koller of Sick Of It All
-- CBGB: Last Rites at the Last Ever Sunday Hardcore Matinee

Me, Myself & Irene, Broken Lizard's Club Dread, and Dude, Where's my Car? Triple Feature

  • 3 movies!
  • A Broken Lizard film!
  • Films from a variety of years!
  • Comedy!
Meet Jesse (Ashton Kutcher, TV's "That '70's Show") and Chester (Seann William Scott, American Pie), two dimwitted yet lovable party animals who wake up one morning with a burning question: Dude, Where's My Car? Their only clues are a matchbook cover from Kitty Kat strip club an a year's supply of pudding in the fridge. As they retrace their steps, these dudes are in for the ride of their lives, encountering hot alien chicks, dodging killer ostriches, and trying to score "special treats" from their ticked-off twin girlfriends. It's an outrageously sweeeeeet comedy adventure that's "totally entertaining all the way through... totally!"Sometimes, stupidity is its own reward. Dude, Where's My Car? is one of the most ridiculous movies ever made--so ridiculous, and so thoroughly cheerful about bei! ng ridiculous, that it's thoroughly entertaining. Jesse and Chester (Ashton Kutcher and Seann William Scott) wake up one morning with absolutely no memory of the night before, but they're confident they must have had a good time. An irate phone call from their girlfriends quickly makes it clear that they may have had too much of a good time, and will be branded as sucky boyfriends unless they set things right. The boys set out to get the anniversary gifts they have for the girls in Jesse's car... only Jesse's car seems to be missing. Which of course leads our heroes on a quest, during which they encounter a pot-smoking dog, khaki-wearing cultists, hot chicks from outer space, a cameo by Fabio, and a herd of wild ostriches. Dude, Where's My Car? lacks the depth of character you might find in, say, a Bill & Ted movie, but the dialogue has an amazing spareness to it that gives it a kind of metaphysical splendor--if absurdist playwright Samuel Beckett had written ! ludicrous babe & stoner movies, he would have written Dude,! Where's My Car? Also featuring a cameo by Andy Dick and more babes in bikinis than you can count. --Bret Fetzer Meet Jesse (Ashton Kutcher, TV's "That '70's Show") and Chester (Seann William Scott, American Pie), two dimwitted yet lovable party animals who wake up one morning with a burning question: Dude, Where's My Car? Their only clues are a matchbook cover from Kitty Kat strip club an a year's supply of pudding in the fridge. As they retrace their steps, these dudes are in for the ride of their lives, encountering hot alien chicks, dodging killer ostriches, and trying to score "special treats" from their ticked-off twin girlfriends. It's an outrageously sweeeeeet comedy adventure that's "totally entertaining all the way through... totally!"Sometimes, stupidity is its own reward. Dude, Where's My Car? is one of the most ridiculous movies ever made--so ridiculous, and so thoroughly cheerful about being ridiculous, that it's thoroughly entertaining. Jesse and Che! ster (Ashton Kutcher and Seann William Scott) wake up one morning with absolutely no memory of the night before, but they're confident they must have had a good time. An irate phone call from their girlfriends quickly makes it clear that they may have had too much of a good time, and will be branded as sucky boyfriends unless they set things right. The boys set out to get the anniversary gifts they have for the girls in Jesse's car... only Jesse's car seems to be missing. Which of course leads our heroes on a quest, during which they encounter a pot-smoking dog, khaki-wearing cultists, hot chicks from outer space, a cameo by Fabio, and a herd of wild ostriches. Dude, Where's My Car? lacks the depth of character you might find in, say, a Bill & Ted movie, but the dialogue has an amazing spareness to it that gives it a kind of metaphysical splendor--if absurdist playwright Samuel Beckett had written ludicrous babe & stoner movies, he would have written Dude, ! Where's My Car? Also featuring a cameo by Andy Dick and mo! re babes in bikinis than you can count. --Bret Fetzer DUDE WHERE'S MY CAR - DVD MovieSometimes, stupidity is its own reward. Dude, Where's My Car? is one of the most ridiculous movies ever made--so ridiculous, and so thoroughly cheerful about being ridiculous, that it's thoroughly entertaining. Jesse and Chester (Ashton Kutcher and Seann William Scott) wake up one morning with absolutely no memory of the night before, but they're confident they must have had a good time. An irate phone call from their girlfriends quickly makes it clear that they may have had too much of a good time, and will be branded as sucky boyfriends unless they set things right. The boys set out to get the anniversary gifts they have for the girls in Jesse's car... only Jesse's car seems to be missing. Which of course leads our heroes on a quest, during which they encounter a pot-smoking dog, khaki-wearing cultists, hot chicks from outer space, a cameo by Fabio, and a herd of wild ostriches. D! ude, Where's My Car? lacks the depth of character you might find in, say, a Bill & Ted movie, but the dialogue has an amazing spareness to it that gives it a kind of metaphysical splendor--if absurdist playwright Samuel Beckett had written ludicrous babe & stoner movies, he would have written Dude, Where's My Car? Also featuring a cameo by Andy Dick and more babes in bikinis than you can count. --Bret Fetzer Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Pop-c! ulture neologisms.3 film triple feature! Me, Myself and Irene Broken Lizard's Club Dread Dude, Where's My Car?
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