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After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

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His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girlâ€™s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

The Horse Whisperer is a! story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a ! gentle touch. Just when it seems he can't be found, what do yo! u know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grad! e horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren

"I've started horses since I was 12 years old and have been bit, kicked, bucked off and run over. I've tried every physical means to contain my horse in an effort to keep from getting myself killed. I started to realize that things would come much easier for me once I learned why a horse does what he does. This method works well for me because of the kinship that develops between horse and rider. " --Buck Brannaman

In THE FARAWAY HORSES,Â Brannaman shares his methods for trainingÂ andÂ provides a behind-the-scenes glimpse of Robert Redford's movie The Horse Whisperer, for which he was the technical advisor.

*Authoratative figure in horsemanship
*Reveals the key to understanding animals

BUCK BRANNAMAN is a horse ge! ntler--not a horse "breaker"--who has started more than 10,000! young h orses in his clinics. He lives with hisÂ familyÂ in Sheridan, Wyoming.

WILLIAM REYNOLDS is the associate publisher of Cowboys & Indians magazine. He lives with his family inÂ Santa Ynez, California.

*Authoratative figure in horsemanship
*Reveals the key to understanding animals

BUCK BRANNAMAN is a horse gentler--not a horse "breaker"--who has started more than 10,000 young horses in his clinics. He lives with hisÂ familyÂ in Sheridan, Wyoming.

WILLIAM REYNOLDS is the associate publisher of Cowboys & Indians magazine. He lives with his family inÂ Santa Ynez, California.

*Authoratative figure in horsemanship
*Revea! ls the k ey to understanding animals

No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 7-APR-1998Soundtracks can sometimes be disjointed affairs, lacking the cohesion necessary to create a mood when collecting songs from various artists. This is a pitfall the soundtrack from the forthcoming film The Horse Whisperer melodically and artfully avoids. From the first honest, unsentimental notes of Dwight Yoakam's "Cattle Call" you are taken wholeheartedly onto this wide-open prairie of soulful, plaintive music. The Horse Whisperer soundt! rack is a fluid, coherent gathering of the most literate and distinctive voices in country music today, including Emmylou Harris, Steve Earle, Lucinda Williams, Gillian Welch, The Mavericks, Iris DeMent, and The Hill Country Flatlanders (featuring original Flatlanders Jimmie Dale Gilmore, Butch Hancock, and Joe Ely). This spare, haunting ensemble of wistful twangs and hopeful hearts is a must-have for any country collection. --Dominique D'Anna Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer! ." When she meets this rugged, down-to-earth rancher (Redford)! , she di scovers his extraordinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging c! ase when he's sought out by a fast-lane New York magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

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Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

1 Blueray Disk Only.
In Jewel Case
Preowned
Great Condition

From the producers of Shaun of the Dead, Attack the Block is a fast, funny, frightening action adventure movie that pits a teen street gang against an invasion of savage alien monsters. It turns a London housing project into a sci-fi battleground, the low-income apartment complex into a fortress under siege. And it turns a crazy mix of tough street kids into a team of kick ass heroes. Itâ€™s inner city versus outer space and itâ€™s going to explode. A high-concept, micro-pocketed mash note to John Carpenter and Walter Hill, this Cockney vs. Aliens saga generates an enormous amount of likability out of some very limited means. Executive produced by the folks behind Shaun of the Dead, writer-director Joe Cornish's feature debut mixes gore and gags in a ratio that should drive genre fans bon! kers. Unlike many recent Comic-Con-friendly movies, however, Attack the Block admirably concentrates on actually telling a story first, with the in-jokes and pop-culture references treated as tinsel. Kicking off with a literal bang, Cornish's script follows a group of British teenage punks on the downward slide to outright thugdom. Once a horde of neon-toothed aliens starts falling from the sky, however, the kids find themselves appointed the unlikely protectors of their grotty South London housing complex. Cue the bottle rockets, dirt bikes, and ninja weapons. There's not much to the story beyond that, really, but any narrative sparseness is leavened by some healthy doses of low-budget ingenuity, chief among them the design of the negative-image aliens themselves, which suggest ticked-off wild boars after a serious Rogaine overdose. On the character front, the film also scores, quickly sketching out its team of likable (but not cuddly) bad seeds with distinct person! alities. (That said, American viewers should be prepared to ha! ve at le ast a quarter of the slang fly over their heads.) Clocking in at a just-right 88 minutes, Attack the Block may ultimately never rise above the level of clever homage, but there's copious evidence that the filmmaker already has a firm understanding of what makes B movies tick. While his first film doesn't exactly reinvent the wheel, check out all the neat stuff in the spokes. --Andrew WrightFrom the producers of Shaun of the Dead, Attack the Block is a fast, funny, frightening action adventure movie that pits a teen street gang against an invasion of savage alien monsters. It turns a London housing project into a sci-fi battleground, the low-income apartment complex into a fortress under siege. And it turns a crazy mix of tough street kids into a team of kick ass heroes. Itâ€™s inner city versus outer space and itâ€™s going to explode. A high-concept, micro-pocketed mash note to John Carpenter and Walter Hill, this Cockney vs. Aliens saga generate! s an enormous amount of likability out of some very limited means. Executive produced by the folks behind Shaun of the Dead, writer-director Joe Cornish's feature debut mixes gore and gags in a ratio that should drive genre fans bonkers. Unlike many recent Comic-Con-friendly movies, however, Attack the Block admirably concentrates on actually telling a story first, with the in-jokes and pop-culture references treated as tinsel. Kicking off with a literal bang, Cornish's script follows a group of British teenage punks on the downward slide to outright thugdom. Once a horde of neon-toothed aliens starts falling from the sky, however, the kids find themselves appointed the unlikely protectors of their grotty South London housing complex. Cue the bottle rockets, dirt bikes, and ninja weapons. There's not much to the story beyond that, really, but any narrative sparseness is leavened by some healthy doses of low-budget ingenuity, chief among them the design of the ! negative-image aliens themselves, which suggest ticked-off wil! d boars after a serious Rogaine overdose. On the character front, the film also scores, quickly sketching out its team of likable (but not cuddly) bad seeds with distinct personalities. (That said, American viewers should be prepared to have at least a quarter of the slang fly over their heads.) Clocking in at a just-right 88 minutes, Attack the Block may ultimately never rise above the level of clever homage, but there's copious evidence that the filmmaker already has a firm understanding of what makes B movies tick. While his first film doesn't exactly reinvent the wheel, check out all the neat stuff in the spokes. --Andrew WrightJJ Abrams and Steven Spielberg join forces in this extraordinary tale of youth, mystery, and adventure. Super 8 tells the story of six friends who witness a train wreck while making a Super 8 movie, only to learn that something unimaginable escaped during the crash. They soon discover that the only thing more mysterious than what! it is, is what it wants. Experience the film that critics rave is, â€œfilled with unstoppable imagination and visual effects to spare. It will put a spell on you.â€ â€" Peter Travers, Rolling StoneFew filmmakers have ever had a run at the tables like Steven Spielberg, whose output from 1971's Sugarland Express to, say, 1982's E.T. displayed an amazingly unforced melding of huge set pieces and small human gestures. Even at their most chaotic, they somehow felt organic. Super 8, writer-director J.J. Abrams's authorized tribute to classic Spielbergisms, hits all of the marks (Lived-in suburbia backdrop, check. Awestruck gazes upwards, check. Parental discord, check. Lens flares, amazingly huge check), but its adherence to the formula squelches much of its own potential. Appealing as it is to see a summer movie that retro-prioritizes character development over jittery quick-cut explosions, the viewer is always aware at how furiously it's working to seem! effortless. Set in 1979, Abrams's script follows a group of m! ovie-cra zy kids attempting to make a zombie flick, only to have their plans cut short by a close encounter with a train derailment. As the military pours over the wreckage and neighbors start disappearing, the gang realizes that their footage contains a cameo appearance by an extremely grumpy guest star. For a film whose promotional campaign hinged so strongly on creating an air of mystery, Super 8 is a fairly straightforward melding of E.T. and Jurassic Park, albeit one featuring an oddly schizophrenic monster (he eats peopleâ€¦ until he doesn't). Abrams makes his young cast shine (particularly when developing a hint of romance between leads Joel Courtney and Elle Fanning), while also providing a nice character arc for Kyle Chandler, as a widowed deputy who can see his relationship with his son slipping away. Aside from a few primo early jolts, however, the creature-feature aspects feel increasingly shoehorned in alongside the more assured coming-of-age element! s. Abrams's film has more than enough bright spots to warrant a viewing, but its insistence on worshipfully following the master's playbook is a bit of a bummer. Imitation isn't always flattering. --Andrew WrightTucker and Dale are two best friends on vacation at their dilapidated mountain house, who are mistaken for murderous backwoods hillbillies by a group of obnoxious, preppy college kids. When one of the students gets separated from her friends, the boys try to lend a hand, but as the misunderstanding grows, so does the body count.Slapdash Scary Movie cycle aside, the slasher genre has proven fairly resistant to effective satire, mainly because the movies themselves already go so far over the top. (After Jason goes to space, where else can you possibly go?) Arriving amidst some monster film festival buzz, Tucker & Dale vs. Evil scores big laughs by slyly inverting the formula, casting the standard backwoods maniacs as bewildered everymen surrounded! by accident-prone teens. While it may basically be a one-joke! movie, it sustains that joke for a remarkably long time. Kicking off with an effective Blair Witch jab, the story follows Tucker (Alan Tudyk) and Dale (Tyler Labine), two good-natured good ol' boys with aims of fixing up their rickety cabin in the woods into a vacation home. Before they've emptied their first six-pack, they find themselves besieged by a group of stereotypical college kids who start dying in increasingly bizarre ways around them. As the bodies stack like cordwood, the duo's obliviousness only grows. First-time director-cowriter Eli Craig clearly knows his subject material well, trotting out the skinny-dipping coeds and conveniently placed sharp implements with relish, particularly with a wood chipper that really should have received a supporting actor credit. Clever as the concept is, though, it wouldn't stretch nearly as far without the performances, most notably Labine as a Bigfootish idiot savant and 30 Rock's Katrina Bowden as a Final Girl fully aw! are of the situation's absurdity. Although the invention may sputter at times, Tucker & Dale provides enough amiable chuckles and ridiculous gore to satisfy even the snootiest genre fan. For the sequel, can we get them near a rocket? --Andrew WrightStudio: Oscilloscope Pictures Release Date: 10/25/2011 Run time: 80 minutes Rating: RCaptain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the worldâ€™s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as â€œpure excitement, pure action, and pure fun!â€ â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set i! t in the 1940s. But how, then, to reconcile that hero with the! 21st-ce ntury mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up w! ith being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, although the war action goes generic for a while and the climax feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

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Smokey & The Bandit [Blu-ray]

UK Import
Region-Free
Blu-ray

Escaped prisoners kidnap bank managers, spend the evening with their families and then go to the bank together for the money in the morning.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 3-JUN-2003
Media Type: DVDChemistry and quirkiness--and a stellar cast--help make Barry Levinson's Bandits more than just another comedy about ill-matched outlaws. Levinson's deft touch in Rain Man is evident in the film's road-movie structure, which follows bank robbers Joe (Bruce Willis) and Terry (Billy Bob Thornton) on a crime spree from Oregon to California. They're eventually joined by an aspiring stuntman and getaway driver (Troy Garity, son of Jane Fonda) and a neglected housewife (Cate Blanchett) who falls in love with both Joe and Terry after escaping her boring marriage. As scripted by Twi! n Peaks alumnus Harley Peyton, Bandits shifts from character comedy to crime thriller with reckless abandon, and the humor (particularly Terry's multiple neuroses) is occasionally forced and flat. Levinson compensates with offbeat moments of unexpected tenderness, allowing his cast to express depths of character not necessarily found in the script. A twist ending won't surprise attentive viewers, but it gives Bandits the extra kick it needs. --Jeff ShannonFour tough women in a German penitentiary join forces to form a rock band. When administrators take them to perform at a policeman's ball, the prisoners escape, kidnapping a convenient boy-toy hostage (Werner Schreyer), along the way. Their band, Bandits, becomes a national sensation as the women continue to evade the police. The movie is a wild ride, with quite a respectable score of rock songs--some catchy, some haunting--composed and performed by Bandits members themselves. All are sung in Engl! ish (which seems to be the universal language of rock & roll).! But alt hough the picture is a lot of fun, it's no Spice World; there's a harder edge, a deeper agenda here. These women were all prisoners for a reason. Each fugitive's story is gradually revealed as the plot progresses. Luna (sultry Jasmin Tabatabai), the lead singer and guitarist, is a loose canon with a real attitude problem. And she likes to rob banks. Emma (Katja Riemann), the brains of the group, had a successful jazz career in America before her abusive boyfriend drove her over the edge. Marie (Jutta Hoffmann), the band's middle-aged keyboard player, is suicidal: something to do with her involvement in her husband's death. Angel (lovely Nicolette Krebitz), is the team's weak link; she can't be trusted. As the Bandits pull off each increasingly improbable narrow escape, the film takes on the radiance of myth, ascending ultimately to an apocalyptic finale. --Laura Mirsky

When the sun has gone down and the town has gone to sleep, the racoon bandits prowl! through the night. With masks parmanently in play,

They sneak and they creep.

Doing just what they please.

The thieves snatch, run, and escape--always careful not to get caught.

Get ready to tear up the highway with the Bandit (Burt Reynolds), a fun-loving, fast-talking trucker who takes on his craziest haul yet - delivering 400 cases of beer from Texarkana to Atlanta in just 28 hours. With Sheriff Buford T. Justice (Jackie Gleason) hot on his trail and eager to teach him some respect for the law, the Bandit joins forces with good ol' boy, Cledus (Jerry Reed) and runaway bride Carrie (Sally Field). Gear up for huge laughs, pedal-to-the-metal action, and some of the wildest car crashes ever filmed! Starring: Burt Reynolds, Jackie Gleason, Sally Field, Jerry Reed, Mike Henry, Paul Williams, Pat McCormick Directed by: Hal NeedhamIt's easy to assume this is just another dumb redneck comedy from Burt Reynolds's years of underac! hievement. But it's not bad as a dumb redneck comedy at all. D! irected by career stuntman Hal Needham, Smokey and the Bandit is just a goofy chase starring a bunch of Reynolds's Hollywood cronies. New to the job as film boss, Needham brings a silly but energized sensibility to the production and an action man's need to see things moving. But he also has a distinctive feeling for relationships, and he's good with a joke. Put all that together, and Smokey is, at the very least (and unlike its sequels), a simple and original pleasure. --Tom Keogh Young Kevins daydreams burst into astonishing and hilarious life when a band of time-traveling little men come crashing through his bedroom wardrobe and carry him off on an unbelievable crime spree, weaving through the greatest and strangest moments of history. The pint-sized plunderers filch from a neurotic Napoleon (Ian Holm), a dim-witted Robin Hood (John Cleese) and a heroic King Agamemnon (Sean Connery), leading to a showdown with the dark forces of Evil (David Warner)...all whi! le keeping just one precarious step ahead of the wrath of The Supreme Being himself!Producer/Director/Co-writer Terry Gilliam (Fear and Loathing in Las Vegas, Brazil) teams with many of his comic-genius cohorts from Monty Python to bring this laugh-out-loud modern fairy tale-adventure to life.No description available for this title.
Item Type: DVD Movie
Item Rating: PG
Street Date: 01/20/04
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveBurt Reynolds stars as the Bandit in this seminal portrayal of rough-ridin', beer-swillin', sheriff-dodgin', trouble-chasin' truckers. The Bandit's has taken on his craziest haul yet: a trailer full of Coors beer. If he can deliver the goods from Texarcana to Atlanta within forty-eight hours, he'll be eighty! thousand dollars richer. Hilarious mayhem ensues, however, wh! en the B andit falls for a runaway bride (Sally Field). As they push toward Atlanta, the two have to evade Fields' vengeful father-in-law, Texas Sheriff Buford T. Justice (Jackie Gleason as the maniac Smokey of the title). The stakes get higher and the car chases more frenzied in this hysterical romp through the American highways. Charismatic performances by Reynolds and Gleason made this a huge box office draw. ITA winner. Academy Award Nominations: Best Film Editing.It's easy to assume this is just another dumb redneck comedy from Burt Reynolds's years of underachievement. But it's not bad as a dumb redneck comedy at all. Directed by career stuntman Hal Needham, Smokey and the Bandit is just a goofy chase starring a bunch of Reynolds's Hollywood cronies. New to the job as film boss, Needham brings a silly but energized sensibility to the production and an action man's need to see things moving. But he also has a distinctive feeling for relationships, and he's good with a jok! e. Put all that together, and Smokey is, at the very least (and unlike its sequels), a simple and original pleasure. --Tom Keogh

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Geek Charming

ISBN13: 9780142411223
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The award-winning, critically acclaimed comedy FILM GEEK is about one movie nerd's quest to get a life. When Scotty Pelk (Melik Malkasian) is fired from his video store job for annoying the customers, he hits rock bottom. But then he meets Niko (Tyler Gannon), a sexy free spirit who just might save Scotty from his hopeless existence. Triumphant and hilarious, FILM GEEK celebrates the geek in all of us.Scotty Pelk, the title character in Film Geek, makes Napoleon Dynamite look like James Bond. Scotty is, um, really into movies, and leads a life of relentless geek-itude in Portland, Ore., in slavish devotion to his obsession. He works, of course, in a video store; mans an untrafficked web site, ww! w.scottysfilmpage.com; and argues with customers about what movies they select. He punctuates his few conversations, or even stone silences, with random comments like "Sam Fuller is so underrated." To no one's surprise, he has no life, and the film's relentless scrutiny of his pretty empty existence borders on the painful. And yet--who among us (especially movie fans) can't relate to being so immersed in a subject that everything else fades away? Happily, though Scotty doesn't know it, life is full of surprises--even his cringe-worthy life. The dialogue and acting, especially by Melik Malkasian, who plays Scotty with deadpan perfection, is winning and real. "[Terrence] Malick's only made three films in 30 years, you know," he perkily tells one bemused customer. "We're all waiting for his next one. I know I am." --A.T. HurleyDylan Shoenfield is the princess of L.A.'s posh Castle Heights High. She has the coolest boyfriend, the most popular friends, and a brand-! new "it" bag that everyone covets. But when she accidentally t! osses he r bag into a fountain, this princess comes face-to-face with her own personal frog: selfprofessed film geek Josh Rosen. In return for rescuing Dylan's bag, Josh convinces Dylan to let him film her for his documentary on high school popularity. Reluctantly, Dylan lets F-list Josh into her A-list world, and is shocked to realize that sometimes nerds can be pretty cool. But when Dylan's so-called prince charming of a boyfriend dumps her flat, her life - and her social status - comes to a crashing halt. Can Dylan - with Josh's help - pull the pieces together to create her own happily-ever-after?

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Selasa, 08 November 2011

Callas Forever (Callas Por Siempre) [NTSC/REGION 1 & 4 DVD. Import-Latin America]

The Bad Beginning (A Series of Unfortunate Events #1)

AND NOW....LADIES AND GENTLEMEN ORIGINAL MOVIE POSTER

The Horse Whisperer

Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

Smokey & The Bandit [Blu-ray]

Geek Charming

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