Blair Witch Project - Logo - Knit Hat

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In the fall of 1994, three student filmmakers, Heather Donahue, Joshua Leonard, and Michael Williams, ventured into the Black Hills of Maryland to investigate the legend of the Blair Witch. They never returned and to this day are still considered missing. However, one year after their disappearance, their footage was discovered. Directors Eduardo Sanchez and Gregg Hale edited the footage and released it as the movie titled The Blair Witch Project. As a companion to the movie, occult journalist D.A. Stern compiled this dossier, unearthing deeper mysteries surrounding the students' disappearance. It includes a full account of the case from a private investigator, polic! e reports, newspaper articles, student profiles, interviews with the students' families and friends, and the most revealing artifact--37 pages from Heather Donahue's journal. We also get a comprehensive history of the Blair Witch legend, complete with a copy of an 1823 newspaper article.

The hype surrounding The Blair Witch Project is a rare phenomenon in which a purely fictitious film (sorry to burst the occult lover's bubble, but there is no Blair Witch myth; and those missing filmmakers are actors who are alive and well) creates a legend in and of itself. The collected data found in this dossier lends more eerie authenticity to the whole affair. This is an outstanding compilation for its acute attention to detail and ability to enhance the mystery, which in the end is the real charm of this portfolio. --Samantha Allen StoreyBLAIR WITCH PROJECT - DVD MovieThe Blair Witch Project
Anyone who has even the slightest trouble with! insomnia after seeing a horror movie should stay away from The Bla ir Witch Project--this film will creep under your skin and stay there for days. Credit for the effectiveness of this mock documentary goes to filmmakers Daniel Myrick and Eduardo Sanchez, who armed three actors (Heather Donahue, Michael Williams, and Josh Leonard) with video equipment, camping supplies, and rough plot outlines. They then let the trio loose into the Maryland woods to improvise and shoot the entire film themselves as the filmmakers attempted to scare the crap out of them. Gimmicky, yes, but it worked--to the wildly successful tune of $130 million at the box office upon its initial release (the budget was a mere $40,000).

For those of you who were under a rock when it first hit the theaters, The Blair Witch Project tracks the doomed quest of three film students shooting a documentary on the Burkittsville, Maryland, legend of the Blair Witch. After filming some local yokels (and providing only scant background on the witch herself), the three, le! d by Heather (something of a witch herself), head into the woods for some on-location shooting. They're never seen again. What we see is a reconstruction of their "found" footage, edited to make a barely coherent narrative. After losing their way in the forest, whining soon gives way to real terror as the three find themselves stalked by unknown forces that leave piles of rocks outside their campsite and stick-figure art projects in the woods. (As Michael succinctly puts it, "No redneck is this clever!") The masterstroke of the film is that you never actually see what's menacing them; everything is implied, and there's no terror worse than that of the unknown. If you can wade through the tedious arguing--and the shaky, motion-sickness-inducing camerawork--you'll be rewarded with an oppressively sinister atmosphere and one of the most frightening denouements in horror-film history. Even after you take away the monstrous hype, The Blair Witch Project remains a g! enuine, effective original. --Mark Englehart

! Curse of the Blair Witch
Are you wondering just exactly who the Blair Witch was? What the Burkittsville, Maryland, legend was all about? Or what exactly fascinated student filmmaker Heather and what possibly took her, Mike, and Josh from this earth? Get all your background questions answered by Curse of the Blair Witch, a one-stop-shopping "documentary" originally produced for the Sci-Fi Channel as a tie-in marketing tool. Entirely fictionalized, Curse of the Blair Witch focuses both on the past and the present, with copious info on the Blair Witch myth as well as on the disappearance of Heather, Josh, and Mike. As it turns out, the original witch was one Elly Kedward, who was accused in 1785 of taking blood from several children; she was subsequently banished to the harsh winter woods and left for dead. Her grisly and bloody legacy involves missing children, polluted water, disemboweled men, and a serial killer of children who claims to have been haunted b! y "an old woman ghost." Aside from some ineffective "newsreel" footage of the serial killer, all this intriguing information is presented convincingly and chillingly. Curse may in fact freak you out more than the movie, and it evokes the great, pulpy In Search Of series of the '70s, one of the prime inspirations for filmmakers Daniel Myrick and Eduardo Sanchez. News clips of the search for Heather, Josh, and Mike lend a vérité atmosphere to the proceedings, but shed little light on their mysterious disappearance or their characters. Basically, it's a tease to go see the movie. Still, The Blair Witch Project provided only ever-so-slight information on the legend that haunted the forest, so you'll want this cleverly constructed mock documentary to supplement your knowledge of the film. --Mark EnglehartThe soundtrack for a film with no music? Yes, it's true. Josh's Blair Witch Mix takes the high concept of "music inspired by the film" to n! ew extremes: this is the mix tape found in Josh's car on the ! fateful night the "documentary" was filmed. Whatever the case, Josh's is filled with the doom-and-gloom sounds of vintage goth and industrial tracks and the occasional "scared silly" movie sound bites. It's a strong compilation with classic tunes by Lydia Lunch, P.I.L., Bauhaus, the Creatures, Front Line Assembly, and others. The included enhanced CD video snippet contains footage not found in the actual film. Ironic: one thing that makes The Blair Witch Project so believable is the fact that it lacks the typical clichéd horror-movie sound effects. Luckily, this "soundtrack" is far from clichéd and every bit as creative as its movie counterpart. The only thing creepier would be if Josh had been listening to a tape of smooth jazz.... --Jason VerlindeThe Stickman logo from Blair Witch Project shows up yet again, only this time it's on the front of this almost "heathered" black knit cap! Guaranteed to keep you warm on those cool nights in the woods!

Jason Deluxe Overhead 2 Piece Mask-Officially Licensed Part 7 New Blood-Officially Licensed

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Years after tommy jarvis chained him underwater at camp crystal lake the hulking killer jason vorhees returns to the camp grounds when hes released accidently by a teenager with psychic powers. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Larry Cox Diana Barrows Run time: 90 minutes Rating: R Director: John Carl BuechlerA philosophical quandary: when we truly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it! 's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert HortonWhat makes a hockey mask scary? This deluxe, full over-the-head latex mask is made from the highest grade natural latex available, with bits of fake hair, and a removable plastic goalie mask.

Al Franken - God Spoke

• Political satirist Al Franken follows up his best-selling book LIES AND THE LYING LIARS WHO TELL THEM with this feature film. AL FRANKEN: GOD SPOKE follows the inimitable figure over a two-year period in which he campaigns against George W. Bush's reelection and takes well-aimed swipes at a number of big political targets. Runtime: 84 minutes Format: DVD MOVIE Genre: DOCUMENTARIES

An intimate & hilarious behind-the-scenes look at the life of the former saturday night live comedian turned author radio host & political satirist. Studio: New Video Group Release Date: 04/24/2007 Run time: 84 minutesIn God Spoke, Nick Doob and Chris Hegedus (The War Room) shine a light on political satirist Al Franken. The "flaming sword of justice" explains his left-leaning career like this, "They [right-wing pundits] say something ridiculous, and then I subject them to scorn and ridicule." The ! filmmakers, longtime associates of cinéma verité pioneer DA Pennebaker, take a fly-on-the-wall approach towards Franken's activities around the time of the 2004 presidential election and afterwards as he explores a run for the US Senate in 2008. They look at the (unsuccessful) lawsuit Fox News filed against him for swiping their tagline, his involvement in the upstart Air America network, and his dust-ups with Ann Coulter, Sean Hannity, Michael Medved, and Bill O'Reilly, who describes him as "a vile human being." Along the way, they follow the Minnesota-born comedian on book tours and speaking engagements, occasionally flashing back to his two-decade long stint on Saturday Night Live. God Spoke is an expansion of the Sundance Channel short The First Amendment Project: Fox vs. Franken and covers some of the same ground as HBO's America Undercover: Left of the Dial. In other words, there isn't a ton of new material here, but this "fair and balanc! ed" profile represents an entertaining introduction to a multi! -talente d individual. Without Franken, it's hard to imagine a place in the world for The Daily Show and other media designed to expose "lies and the lying liars who tell them," as his 2003 bestseller would have it. --Kathleen C. Fennessy

Climate of Corruption: Politics and Power Behind The Global Warming Hoax

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What does it mean to be authentic? For many, the search for the authentic provides a powerful source of meaning in a secular age, allowing a person a unique personal identity in a world that seems alienating and conformist. This demand for authenticityâ€"the honest or the realâ€"is one of the most powerful movements in contemporary life, influencing our moral outlook, political views, and consumer behavior.

Yet according to Andrew Potter, when examined closely, our fetish for "authentic" lifestyles or experiencesâ€"organic produce and ecotourism, bikram yoga and performance art, the cult of Oprah and the obsession with Obamaâ€"is actually a form of exclusionary status seeking. The result, ! he argues, is modernity's malaise: a competitive, self-absorbed individualism that creates a shallow consumerist society built on stratification and one-upmanship that ultimately erodes genuine relationships and true community.

Weaving together threads of pop culture, history, and philosophy, The Authenticity Hoax reveals how our misguided pursuit of the authentic exacerbates the artificiality of contemporary life that we decry. Potter traces the origins of the authenticity ideal from its roots in the eighteenth century through its adoption by the 1960s counterculture to its centrality in twenty-first-century moral life. He shows how this ideal is manifested through our culture, from the political fates of Sarah Palin and John Edwards to Damien Hirst and his role in contemporary art, from the phenomenon of retirement as a second adolescence to the indignation over James Frey's memoir. From this defiant, brilliant critique, Potter offers a way forward to a me! aningful individualism that makes peace with the modern world.!

Blo od pressure drugs guarantee you will get worse, for they actually deplete the nutrients that cause high blood pressure, making sure you will need even more medications. They also shrink the brain and raise your risk of heart attack, senility and blindness. High blood pressure is not a deficiency of blood pressure-lowering drugs. But there are dozens of ways you can permanently cure your high blood pressure without drugs. And since healthy blood vessels determine the longevity of every organ in the entire body, you need this book even if you don't have high blood pressure, for vascular health is key to total body health and longevity. First of all every single cell of your body depends on the health of your blood vessels that supply them. If you don't want to get Alzheimer's, then you need a healthy brain, but it is only as healthy as its blood supply. Likewise, if you don't want cancer (or you are trying to heal it), it starts (and spreads) in areas of poor circulation. The High Blood Pressure Hoax will show you that for every ailment even one as simple as high blood pressure, there are multiple causes and multiple cures. You have a lot to choose from. In fact, I would suggest you read the entire book before you chose your program. For by understanding how the various causes work, you (who know your body and medical history better than anyone else) have the optimum opportunity for choosing the best solution for you. This is the ultimate plan for vascular health, but it doesn't stop there. It also continues on from where Detoxify or Die left off and takes you to more powerful levels of detoxification. I can't wait to empower you! So let's get started.Foreword written by S. Fred Singer, former director of the U.S. Weather Satellite Service and coauthor of Unstoppable Global Warming.

Melting glaciers, suffering polar bears, rising oceans- these are just a few of the climate change crisis myths debunked by noted aerospace expert Larry Bell in this explosive new book. With meticulous research, Bell deflates these and other climate misconceptions with perceptive analysis, humor, and the most recent scientific data. Written for the laymen, yet in-depth enough for the specialist, this book digs deep into the natural and political aspects of the climate change debate, answering fundamental questions that reveal the all-too-human origins of "scientific" inquiry. Why and how are ! some of the world s most prestigious scientific institutions cashing in on the debate? Who stand to benefit most by promoting public climate change alarmism? What true political and financial purposes are served by the vilification of carbon dioxide? How do climate deceptions promote grossly exaggerated claims for non-fossil alternative energy capacities and advance blatant global wealth redistribution goals? With its devastating portrayal of scientific and government establishments run amok, this book is an invaluable addition to the tremendously popular literature attacking the scientific status quo. Climate of Corruption will bring welcome relief to all those who are fed up with climate crisis insanity.

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Leafing through a wealth of private photo albums and personal archives, Lee Radziwill offers a unique perspective of happy times: from the first trip to Europe and the Bouvier sisters to fond memories of Christmas in Palm Beach with President Kennedy, from her years in London to summer days in Conca, Lee Radziwill has enjoyed a very colorful and successful life. She brings alive, with humor and feeling, privileged moments with family and friends. Happy Times is the credo of a lady who, having witnessed historical moments and ! shared the lives of characters struck by fate, has made the deliberate choice of only remembering what's beautiful. Through anecdotes and pictures, personal notes and drawings, Happy Times offers readers a very personal perspective on a highly publicized life. Andy Warhol would have approved of close friend Lee Radziwill's autobiographical picture book, Happy Times. A sort of postmodern photographic journal crossed with a lovey Hello! spread, Radziwill's book offers a visually lush, mildly gossipy, somewhat surreal document--solely in photographs and brief reminiscences--of the younger Bouvier sister's unique brand of celebrity. As Radziwill explains in her introduction, friends had urged her to write a biography for years, but she felt doing so would "involve me in too many other lives." So she opted for a biography that focuses only on her "happy times" (hence the book title), and these, she says, happened mostly in the 1960s. The resulting slim volume! is essentially a collection of gorgeous photographs, scattere! d haphaz ardly like a scrapbook, interspersed with Radziwill's selective memories and little handwritten comments. With a somewhat unconvincing naiveté ("memories should be of happy times"), each chapter is devoted to a particular "happy time" but in no special order. We have summers in Montauk with Mick and Bianca, Christmas with the young Kennedy family, a tour of India with her sister Jackie, whole chapters devoted to each of Radziwill's many exotic homes.

Assuming the reader knows most of the big events of her life, Radziwill offers little in the way of context of these happy times, and it's this element that ultimately gives the project a surreal, celebrity-by-association feel. You wonder why you're reading this random assemblage of country-house photos and memories of Truman Capote; or, considering so much of the book is taken up by photos of the Kennedys, why you should especially care about Lee Radziwill. But it isn't without its charm, and as you flip through the boo! k, Radziwill's breathless gratitude for her own good fortune becomes contagious. The book's final chapter, hand-drawn by Lee and sister Jackie in 1951, documents a summer trip to Europe. An odd inclusion but ultimately fascinating, it's the essence of Happy Times: you're not exactly sure what you're looking at, or why--but isn't it lovely? --Marisa Lencioni, Amazon.co.uk A beautifully heart-wrenching movie. Zhao, a middle-aged laid-off factory worker, longs for a wife; in the hopes of marrying a pushy divorcée, he agrees to pay for an expensive wedding. To raise money, he turns a derelict bus into a place for couples to rendezvous, and brags to his fiancee about how he manages the Happy Times Hotel. When the divorcée insists that Zhao give Ying, her blind stepdaughter, a job at the hotel as a masseuse, he convinces his friends to help him concoct a fake massage parlor where the girl can work. Happy Times begins as a delightful light comedy, but as th! e relationship between Zhao and Ying grows, this deceptively s! imple mo vie flows effortlessly back and forth from sweetness to sorrow, culminating in a devastatingly moving ending. --Bret FetzerHundreds of celebrity photographs from Jerome Zerbe's archive of 50,000 are compiled here, with commentary by New Yorker writer Brendan Gill. Includes casual photos of Howard Hughes, Gloria Swanson, Noel Coward, Doris Duke, Gypsy Rose Lee, Tennessee Williams, Jean Harlow, Gary Cooper, Humprey Bogart, Kirk Douglas, Clark Gable, Greta Garbo, Maria Callas, Cary Grant, Carole Lombard, Grace Kelly, Ingrid Bergman, Gene Tierney, Buster Keaton, Thomas Wolfe, , Marilyn Monroe, and many others.Happy Time, 18ct pch Small in shelf tray: Nylabone® has developed an exciting advance in natural, healthy, and wholesome edible chews. Our patent-pending technology makes Happy Time!TM edible chews more flavorful and longer lasting. Each Happy Time!TM edible chew is made with Real Chicken and contains vitamins and minerals. These Natural chews have no added sugar,! salt, preservatives, artificial colors or fillers. And all Nylabone Happy Time!TM edible chews are made in the USA.

Bowfinger

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BOWFINGER - DVD MovieFilmmakers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular, Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the K's in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being h! ounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay

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